Off-Ramp commentator Milton Love, an eminent marine biologist at UC Santa Barbara, is also a great storyteller. And this time, he tells us stories about how fish got their names. Including one of the most disgusting fishes, which was appropriately named for one of the most disgusting humans.

In 2015 Michael Holland, the LA City Archivist, dug into his files to explore how the city reacted to the 1919 flu epidemic that killed millions around the world. Michael was inspired to explore the topic by a measles outbreak, but no matter, the parallels between 1919 and today are eerie and fascinating. Masks in theaters? Music in restaurants? It's all there, more than a hundred years ago.

Sheesh. They even got the details wrong on his gravestone! But that's the way it was 80 years ago. People passed in and out of the public consciousness like trains in the distance. And that's the way it was for Jim Tully, who was a household name here in LA in the 1920s and 1930s, then forgotten by the 1940s. 

The story of this hero-to-zero is told by Off-Ramp's Chris Greenspon, host of the podcast SGV Weekly, the best podcast ever about the San Gabriel Valley. (Subscribe!)

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

If you drive through downtown LA on the 110, you've seen it ... the huge mural of the classical musicians. Who are they? Who did it? That's the LA Chamber Orchestra, painted by muralist Kent Twitchell. On on this piece from 2012, we hear from the world's tallest violinist, and the painter himself.

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

First of all, my songs are basically co-dependent anthems. I write Ouch Mommy Pick Me Up and Love Me songs. -- Composer Paul Williams

Yeah, but Paul, they're great songs we can all sing (except maybe "Evergreen," written for Barbra) like "We've Only Just Begun," "An Old Fashioned Love Song," "Rainy Days and Mondays," and "The Rainbow Connection." They make us happy. Heck, "The Love Boat" theme may have been the best part about the show.

Paul Williams, a longtime Long Beacher, emceed the Grammy Museum's 2010 Songwriters Hall of Fame concert, so in the past few episodes, we've heard him talking with other musicians about music. Now, he gets to tell his stories and sing his songs. 

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Next up in our Summer of Song and excerpts from the stage of the Grammy Museum in 2010 is Ashford and Simpson. Valerie Simpson and her late husband Nick Ashford wrote "Ain't No Mountain High Enough," "You're All I Need to Get By," "Ain't Nothing Like the Real Thing," "Reach Out and Touch (Somebody's Hand)," and "I'm Every Woman," among many others.

They were awesome to see onstage, with Valerie at the piano vamping grandly as she and Nick told the stories behind their songs. 

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

They told Elvis not to sing "In the Ghetto."

"It's too political." 

"You're a white guy singing about a black kid." 

Etc. Etc. 

They were wrong.

Who wrote it? Mac Davis, who is Part Two of Off-Ramp's Summer Songwriter Series, as we sample the 2010 inauguration of the Grammy Museum's Songwriter Hall of Fame.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Lamont Dozier, the middle of the celebrated Holland-Dozier-Holland team that wrote and produced “You Can’t Hurry Love,” “Heat Wave,” and dozens of other hits and helped make Motown an essential record company of the 1960s and beyond, died Monday at age 81.

Duke Fakir, a close friend and the last surviving member of the original Four Tops, said, “I like to call Holland-Dozier-Holland ‘tailors of music.' They could take any artist, call them into their office, talk to them, listen to them, and write them a Top Ten song.”

From 1963-1967, Dozier and brothers Brian and Eddie Holland crafted more than 25 Top Ten songs and mastered the blend of pop and rhythm and blues that allowed the Detroit label, and founder Berry Gordy, to defy boundaries between Black and white music and rival the Beatles on the airwaves.

For Off-Ramp, we're listening back to his appearance at the kickoff of the Songwriters Hall of Fame at the Grammy Museum at LA Live in 2010. Songwriter Paul Williams was the emcee for the event. 

And I have lots more tape from that event, featuring Williams, Ashford and Simpson, Mac Davis, and Hal David. We'll listen to that in coming weeks. 

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Whoa. There I was, sitting on the piano bench as he played the hits he was involved in. "I know that song. And that one. I played that one on the radio when I was a DJ!" 

Because if it was a hit, there's a good chance Clarence McDonald had a couple hands in  it - on the keyboard or as producer. James Taylor's "How Sweet It Is," Seals & Crofts' "Summer Breeze," Hall & Oates' "Sara Smile," Bill Withers' "Lovely Day," The Emotions' "Best of My Love." Plus Ray Charles, Nancy Wilson, Erykah Badu, The Jackson 5, Barbra Streisand, Aretha ... just read the liner notes and you'll find his name all over the place.

Clarence, who passed away last year at the age of 76, was an early guest on Off-Ramp, and I caught him at exactly the right time. He'd had a lung cancer scare, had met the love of his life Susan, and was feeling like he oughta get out of his shell and share some of his knowledge ... gained from luminaries like legendary LA music teacher Alma Hightower and Eubie Blake. I was honored he trusted me with his story. 

These two interviews debuted in 2009, and there are more to come.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

When I interviewed Norman Lear for Veterans Day in 2019, I asked for dibs on his 100th birthday interview. He immediately agreed, looked skyward, and said, "Hear that God? I've got a commitment!" 

Then Covid-19 happened. So as Lear turns 100 (on July 27), we'll have to make do with a rerun ... but if anybody should be okay with a rerun, it's Norman Lear, creator of so many groundbreaking TV shows - like "All in the Family," "The Jeffersons," and "Maude" -- that helped America confront its demons.

But mostly, in this interview done for KPCC's Take Two show, we talked about America, the Constitution, the Declaration of Independence and its promise of "the pursuit of happiness," and his service on a B-17 bomber in World War 2.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.