There's something Kareem Abdul-Jabbar has loved as long as he's loved basketball: Sherlock Holmes. Like so many of us, he watched the old movies with Basil Rathbone and Nigel Bruce on TV and fell under Holmes' spell; he even thought Holmes was a real detective. In 2015, when Kareem published his well-regarded "Mycroft Holmes," a mystery-adventure about Sherlock's smarter brother, he joined me on Off-Ramp to talk about it.

Kareem is smart; there's little in Doyle's stories about Mycroft, leaving the field open to him and his co-author Anna Waterhouse to tell new stories, and not incidentally let Kareem explore his Trinidadian heritage, and paint a more accurate picture of the multi-cultural London of Victorian England.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it's hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

Riding the Expo line from Downtown LA to the Pacific Ocean ... Meet Mack Robinson, Jesse's brother ... Milton Love does not love books like Hooty the Owl Who Couldn’t Fly or Gretchen the Bed Bug with an Attitude ... Bob Boilen and the songs that changed our lives

Californium, the new PK Dick video game ... bid for a unique dinner with Russ Parsons, John Rabe, and Piero Selvaggio at Valentino in Santa Monica ... the almost-lost living room sessions of jazz pianist Forrest Westbrook ... how to make money in Hollywood AND not be a racist.

The Parks Service needs your help to figure out how urban coyotes survive ... remembering the infamous Atomic Cafe ... the existential angst of Laurel & Hardy, restored and remembered ... Can Pershing Square be made into a beautiful park?

The view from the 69th floor of the Wilshire Grand ... Brains On, the science podcast for kids ... our first look inside the Highand Park Bowl ... the Norton Simon summons up a triumph from the 1960s ...

California Science Center is getting the big orange external tank to go with Shuttle Endeavour ... Guitar hero Albert Lee on the skiffle and early rock scene in Britain ... LACMA opens exhibit on 300 years of men's fashion ...

Vin Scully on the roar of the crowd as fountain of youth ... Orel Hershiser on pitcher's nerves ... No, most of us still can't watch the Dodgers on TV ... Rabe eats a Dodger dog: still meh ... Plus: Brendon Eder and Milton Avery.

It was 80 years ago that Jackie Robinson went to John Muir High School in Pasadena. He played shortstop and catcher on the baseball team. But flash forward to today: what about the team he played on, and the school he went to? Take a leap into a Los Angeles of the future it's unlikely any city will have changed more than Inglewood, future home to the new NFL stadium. We take a look around and talk with Inglewood movers and shakers. And we go inside the Eames House, one of Los Angeles' most important, most beautiful and elusive homes.

We bring you Off-Ramp greatest (recent) hits: Actor George Takei reflects on the 10th anniversary of his coming out. We dig through the cookbook authored by the late Vincent Price—frightening star of stage and screen. And if you love John William's iconic Star Wars score, New Yorker Music Critic Alex Ross says it's not just nostalgia: there's a serious, brilliant mind at work.