Did you you read Caitlin Hernandez's LAist longread about the history of LAX and how to keep it from driving you totally around the bend? This time on Off-Ramp we're digging into one of the most surprising and weirdest aspects of the airport's history ... when the airport created a ghost-town that today resembles what LA will look like a few months after the apocalypse. We'll drive there with author Denise Hamilton, who set a novel there, and a former resident.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

When the Grammy Museum honored Big Jay McNeely in 2017, when he was 90, they said:

McNeely is a true original and the last of a generation of blues/R&B musicians who inspired the early rock pioneers, and are still around to remind us where popular music came from.

As Off-Ramp jazz correspondent Sean J. O'Connell put it when he interviewed him for the show: 

"Big Jay McNeely was etched into pop music immortality in 1951. Photographer Bob Willoughby captured McNeely at a concert at Los Angeles's Olympic Auditorium 1951. In the photo, the Watts native is blasting his tenor sax on his back, the camera capturing the raised fists of post-war teenage hysteria seething in undershirts and pompadours at the foot of the stage. From Central Avenue with Charlie Parker and Art Tatum in the 1940s to the R&B circuit of the '50s and '60s, McNeely was there through a roller coaster of musical evolutions and had a good time along the way. His showmanship and soul are both youthful and timeless. He is rock & roll history, alive and well."

Big Jay died a year later, but not before our listeners got to hear his story, and now you do, too.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Bob Willoughby photo used with permission from his estate.

Charles Schulz got hate mail, and newspaper editors threatened to pull his strip "Peanuts," after he showed Charlie Brown meeting Franklin Armstrong on the beach on July 31st, 1968. All because Franklin was Black ... in fact, the first Black character in a mainstream daily comic strip.

This time on Off-Ramp, we're listening back to my 2014 interview with the two friends who made it happen: Harriet Glickman, a white teacher, and Ken Kelly, a black aerospace engineer.

Harriet died two years ago at 93, and Ken died a year ago at 92 ... and by the way, Ken has an amazing life story you'll hear about at the end of the episode.

Advisory: Ken and Harriet use old fashioned language to describe Black people. They use the polite terminology of the time, NOT the N-word, but if this is upsetting to you, you should skip this episode.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

Pico Boulevard, Pico Union, Pico Rivera ... they tell the story of one of the most fascinating figures in California's 19th Century history: Pio Pico, the last governor of Alta California under Mexican rule, and a revolutionary who helped make the missions forfeit their land. But at the time of his death, he couldn't afford his own grave. Off-Ramp contributor Chris Greenspon has his quintessentially Californian story.

Originally broadcast September, 2015.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

We get it if you're a little sour on Major League Baseball right now, but turn that lemon into lemonade by checking out this whole episode of Off-Ramp recorded at the 2015 Dodger home opener. We got Justin Turner, Vic the Brick, Roz Wyman & Richard Montoya debunking the Chavez Ravine myth, the iconic organist Nancy Bea Hefley, pitcher John Rabe being lustily booed, an in-depth interview with then-GM Farhan Zaidi, and a lot more. All you need is a Dodger Dog, a michelada, and a bag of peanuts.

Originally broadcast April 11, 2015.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

Today, James Kim is a successful podcast host, producer, and writer. You know him from "The Competition," "Moonface," and "Vermont Avenue," which won Tribeca's first Best Podcast award. And he's just wrapped up a project with Disney.

But ten years ago, he was a fresh-faced Off-Ramp intern with a problem: he couldn't talk to his parents because he's first generation Korean-American and had lost his Korean when he learned English. 

John Rabe pretty much forced him to do a first-person Off-Ramp piece about it, and it seemed to set in motion a major change for the better in James' life. 

Bonus! James joins us to set up his piece from the Off-Ramp archive, and then hangs around to talk with John about life, love, and work ... including some tips for podcast aspirants.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live.

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

For the first Off-Ramp podcast episode, let's go back to that amazing day in 2013 when my friend Chris sent me a message:

"Hey, John. My sister and her husband just bought a home in the Valley with a fallout shelter that hasn't been touched in decades. Wanna do an Off-Ramp piece about it?" 

Would I? Should you wear a sport coat to Musso & Frank? Are horizontal fence slats getting old? Are you legally required to take visiting relatives to The Huntington? Yes!

The piece you're about to listen to was probably the most popular one we ever did, in no small part due to the great photos by Mae Ryan. 

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

Welcome from host John Rabe, a public radio veteran and bon vivant who turned exploring Southern California into a radio art form on KPCC's Off-Ramp. Now, he's sharing stories from the Off-Ramp archive - in a lead-lined vault deep beneath Mt Wilson - with you!

Check your feed every Friday, then sit back, listen, enjoy ... and then get out and make your own SoCal adventures!

This program is made possible in part by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios)

It all happens in John's car: Tom Petty's keyboardist, Benmont Tench and his Casio get in the back seat to play a very Off-Rampy song ... Queena Kim conducts a creativity masterclass ... Food writer Russ Parsons brings pie ... Charles Phoenix & Chris Nichols on the joys of getting lost in SoCal ... And Mayor Garcetti challenges John to a backgammon game. (PHOTO: On old off-ramp from the Arroyo Seco Parkway. Credit: John Rabe)

On the second to last episode: an expert on relics, mummies, crypts, and the way we live with death ... KPCC's Matt Bloom looks at the fungal disease killing LA's ficus trees ... The amazing career of Ruth Batchelor: founder of the LA Film Critics Association and songwriter for Elvis ... Lou Adler on the 50th anniversary the Monterey Pop Music Festival ... And Off-Ramp's last producer remembers the first time ever he heard our show. (Image: John Rabe)