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FilmWeek Marquee: ‘Ticket to Paradise,’ ‘The Banshees or Inisherin’ And ‘Black Adam’

Published October 21, 2022 at 11:02 AM PDT
Brendan Gleeson sits in the middle of a room on a wooden chair next to a small end table with a large window to his right. The room is bare with nothing on the walls except a small landscape painting next to the window on its right side. The window provides the only light, the rest of the room and its limited possessions fading into shadow. Gleeson stares at the floor, his lips slightly parted. His hands rest in his open lap as he loosely holds a pen. He is wearing a dark blue long sleeve with a brown buttoned sweater vest and black pants. Gleeson's absent expression shows that he is unaware or unconcerned by Colin Farrell peering in at him from the large window. Farrell stares at Gleeson from outside the room his expression confused, the light of the day shining behind him.
Courtesy of Searchlight Pictures

Larry Mantle and KPCC film critics Amy Nicholson and Andy Klein review this weekend’s new movie releases in theaters, streaming and on demand platforms — in three minutes or less!

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